Everybody
Directors: Zachery Everette-Lane & Marrisa Fernandez
Everybody, an experimental play written by Branden Jacobs-Jenkins, is a play that explores the themes of life, death, and the human experience. The play features long voiceovers, underscores and experimental vocal effects dubbed with acoustic voice. The play is produced by Scotch'n'Soda Theater as their Feburary show in 2025.
Kaibin is the co-sound designer, with three people in the team, working in different aspects of the show. He works on system design, underscore composition and mixing for the show, with one transition effect, while other people are dedicated on transitions, voiceover recording and editing.
Kaibin's composition for the show mainly focuses on creating emotional support and build scenes for the abstract voiceovers which are happening in the dark. The music ranges from electroacoustic contemporary to indie-game style music and electronic dance music.
The music, voiceovers and sound effects are played on a multi-channel system he designed, includig L/C/R setup, side and top surround speakers and on-stage practicals.
Kaibin is the co-sound designer, with three people in the team, working in different aspects of the show. He works on system design, underscore composition and mixing for the show, with one transition effect, while other people are dedicated on transitions, voiceover recording and editing.
Kaibin's composition for the show mainly focuses on creating emotional support and build scenes for the abstract voiceovers which are happening in the dark. The music ranges from electroacoustic contemporary to indie-game style music and electronic dance music.
The music, voiceovers and sound effects are played on a multi-channel system he designed, includig L/C/R setup, side and top surround speakers and on-stage practicals.
Sound Samples
Transition I-II
Transition from Scene I to Scene II, when Usher falls into GOD. The transition makes use of VCV modular synthensizer, granular synthensize and convolution with non-impulse samples.
Underscore of III and IV
Underscore of the voiceover parts, starting with Bach's Invention and turns into more contemporary ambience music format.
Underscore of VI and VII
Underscore of the voiceover parts, indie-game style music.
Underscore of IX and X
Underscore of the voiceover parts, Trance music followed by distorted ambience.
Underscore of XII
Underscore of the voiceover parts, a piece to connect the previous parts together, going through all the parts and finally ends up in La Danse Macabre.
La Danse Macabre
An EDM version of La Danse Macabre, making use of Trance, hardstyle and dubstep techniques rewind back to acoustic sound.